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The Principles Of
The Best Way Of Learning & Changing Chords is taught in "The Path Level One:
"The Principles of Correct Practice for Guitar" DVD
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Free Bird
This southern rock anthem, "Free Bird" by Lynrd Skynrd is a great beginner song because it is in the key of G, and because it is slow. One challenge however, is that most of the chords last only 2 beats, so there is a lot of chord changing going on. (Note: If you have trouble changing chords, the best thing you can do is to get a copy of "The Path: Chords & Rhythm", which is specially designed to show beginners how to master chord changes.).
Changing Chords: G to D: We will leave out the 2nd finger from the G chord. It is usually used on the 5th string, but that note is not necessary. Leaving it out will free us up to have the first finger ready for its note on the upcoming D chord. While you are playing the G chord, keep the 1st finger hovering over the 3rd string, 2nd fret. And keep it relaxed! D to Em : Usually, we would finger the Em with 2 & 3, or 1 & 2, but I am using 3 & 4 here just to make a point about changing to the upcoming F chord. Using 3 & 4 has some advantages that some people may find worthwhile. It depends on your exact level of development. Try it, and if you like it do it that way, if it is more trouble than it is worth, don't use it, but remember the logic of it for future use in other situations. The logic of using 3 & 4 for the Em chord is that those two fingers can stay on the string and just slide up when it comes time to switch to the F chord. Then, the bar can just come down, along with 2. This is easier for some people just getting used to switching to the dreaded F bar chord! For those more experienced, it is just as easy to switch from one of the other fingers. Choose what works best for you. Em to F: Make sure your 2nd finger is relaxed and low to the string, as well as the 1st finger, which should already be extended over the first fret, ready to go down. With these fingers positioned like this, slide 3 & 4 up one fret from their position on the Em chord, placing the bar and 2nd finger as you do. Hello, F bar chord! F to C Hold the 3rd finger down. Make sure you have good separation between all fingers. For a good example of how your hand should look (and will be able to look if properly developed with the Foundation Exercises from The Principles), take a quick look at this lesson on left hand positions............... C to D This is a toughie, there are no common fingers, each one has to pick up and get going to its new location. The best thing you can do to master this change is to apply the methods for switching into the D chord taught in the GuitarPrinciples publication "The Path: Chords & Rhythm". If you have the book, use it, if not, well, I guess you have a decision to make!
The Rhythm: As always, you have to make sure you can play the song with a straight beat first, meaning, one strum per quarter note beat. You have to also gain the skill of being able to sing it as you play. A good way to do this is to sing it in your head as you play the chords, then try humming it softly. Also, practice tapping your foot to the beat as you play. Here are two rhythms to use for this song. As usual, make sure you can do the whole song in basic quarter notes, strumming and singing, before you try anything fancier......
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During 30 years of teaching all styles of guitar, master player & teacher Jamie Andreas studied the question "why do so many people have trouble learning to play guitar, and either quit, or get stuck at some level of ability beyond which they cannot improve"? The answers to this question became "The Principles Of Correct Practice For Guitar", published in 1998. Since then, tens of thousands of players around the world have used "The Principles" to understand and solve their playing problems, and move to their next level of ability. You can too! You CAN be a great guitarist! |
The Guitar Principles Beginner's Package ![]() Includes ALL the ESSENTIALS to get you started. Huge Savings! More Info… |
"...We found that the true jewel in this book is Jamie’s insight on how we learn and how to make the most of practice time....We highly recommend not only guitarists but all musicians read and consider Jamie’s thoughts on the principles of correct practice." Fingerstyle Guitar Magazine |
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